Wednesday, 25 April 2018

Various Artists ‎– "Domestic Sampler UMYU" (Umyu ‎– UmyuI-1138) 198/2

Well, while England were being knocked out of the World Cup in Spain without actually losing a single match and only conceding one goal; due to a ridiculous system now kicked to the kerb.
The Barcelona underground were strutting their stuff on this 'seminal' sampler, which also included rare tracks from Jim Whelton and Lepke Buchwater, aka Milk From Cheltenham ,Amos & Superslicks, and The Hostiapaths.These were recorded at the same session that produced the "Psst-Wanna Buy A Tape" and Bing Selfish records.
Although,most of the groups sound as if this could have been one of those fake compilations that Jim and the Homosexuals were so keen to foist on the general public.They are in fact the real Spanish deal,despite Whelton being the main reason why I have posted this album, there is a lot more of interest in the Spanish input than one would have thought.Its great stuff.

I Haven't had a bitter Rant for ages,and as i mentioned the '82 World Cup fiasco one goes..........
Who wants to win the fucking World Fucking Cup anyway when you've got music like this to remind you that unbridled capitalistic gain has its alternatives.Such is the state of Modern Football, populated by millionaire players from countries you've never heard of, playing for clubs owned by billionaires from countries you've never heard of......a playground for the super rich, attended by the Nouveaux Riche in place of the working class who made the sport up in the first place! They've stolen our sport, like the fuckers have stolen our music, fashion, and culture. Boycott the world cup in gangster state Russia for a start (England are shit anyway so who cares?); then comes the world cup in the desert in that Football homeland of Qatar(won by bribing officials by the way...proven).With air conditioned stadia built by slave laborers, a lot of whom died so the bourgeois can watch football in comfort, before returning to their six star hotel to argue which player deserved a 100% pay rise.
Fuck that shit! this record instead, and remember the days when fun was free, and the Footballers who represented your home town actually came from a street near you. 


1–El Grito Acusador - Somos Punks 1:55
2–The Hostiapaths - Tchang Kai Chek 1:30
3–El Grito Acusador - James Bond No Lo Hacía Por Dinero 1:10
4–Entr'Acte - No Es Deixi Vestir Per Una Màquina 3:29
5–Milk From Cheltenham - The Unloved 1:35
6–Error Genético - Tumor En La Frente 3:00
7–Detra's Band - 10 En El Horno 1:31
8–Tres - I Doubt 3:00
9–Amos & Superslicks - Blue Pink Suits 1:08
10–Klamm - Eish Anta 6:50
11–Boris - La Banda De Doris 1:30
12–Entr'Acte - L'Altre Escàndol De L'Extranya Dona 2:45
13–Logotipo - Teoría De Contacto 3:15
14–Secreto Metro - Esparadrapo 5:01
15–Mimi Piner - Perfect Lunch 3:40

Tuesday, 24 April 2018

Bing Selfish ‎– "Selfish Works" (El Frenzy Productions ‎– NM008) 1983

Another tenuous Homosexuals connection is this debut 12incher from Comedian Bing Selfish,which includes a large input from Amos (Jim Whelton),Lepke Buchwater (Milk From Cheltenham,Die Trip Computer Die!) and from the Murphy Foundation (which i may post some of.....although not a fan).
Recorded in Barcelona with free studio-time during a session for the 'Domestic Sampler' compilation (up next),this fits in stylistically with Whelton's other skewed poppy work very nicely.
the rest of the tracks they recorded cropped up on the "Psst- Wanna Buy A Tape' compilation a few years later.
Bing continues to release records today.....not heard them though, so one shouldn't comment, one supposes?


A1 Spanish Dictators
A2 Australia
B1 Rekjavic
B2 He Knows
B3 The Crush

Monday, 23 April 2018

Jandek - "This Narrow Road" (Corwood Industries 0768) 2001

HOORAH!It's that time of the week's Monday....and its time to start off the worst day of the week with a real downer.....It's JANDEK MONDAY!

Nearly didn't make it because of bloodvessel busting computer problems.I tried doing it on my old skool iPhone 4, but that sent me even further into the ballistic bracket! It Dun my brane in!
Alas, all is fixed now, after five hours of expletive soaked work.Now, Jandek sounds like the sweet music of Angels.....well at least like that of some haunting ginger Siren, luring happy balanced individuals onto the jagg-ed rocks of misery.

Today's choice is inspired by a kind Jandek Obsessive pointing out that this was actually Jandek's 'second' spoken word album,in the very under-used comments section of the "Worthless recluse" post; in which i had erroneously stated was actually his second, when, silly me, it was in fact his third!?.....won't make that error again, especially as i will probably never mention this album ever again in my life.
Its not as good a title as "Worthless Recluse" anyway.

Of all of the landfill site filling quantities of Jandek albums, probably the most disturbing and soporific volumes, are indeed, the 'Spoken Word'or 'Unaccompanied Singing' episodes.They sound like the tapes sent to the Police from nuts claiming to be The Zodiac Killer or Jack the Ripper's representative on earth.Or the rantings of one of those perv's with a sealed apartment in their basement, filled with missing women who were snatched as children existing alongside his and their malnourished progeny.
The untuned guitar work is sorely missed, as that was the only thing that kept one awake during the Corwood Representative's duller moments.
I dunno, maybe I'm still pissed off at my 'tech' problems?
It still scores a big '10' for creepiness, and there's nothing quite like it out there;and....its got a song/poem called 'Killer Cats In The Caribbean'!!!!.....if you don't dig that ,then you better stick to Phil Collins for your entertainment.


1 One Last Chance 29:21
2 Killer Cats In The Caribbean 3:05
3 Yes You Are 2:44
4 The Name I Had 3:30
5 I Need To Be 2:03
6 Pieces Of Place 3:29
7 Never Never Never 1:05
8 Just Like The Floor 2:20
9 Ten O’Clock Shadows 2:48
10 Come Over Here 1:06
11 Frosted Field 1:02
12 I Knew About Them 3:34

DOWNLOAD via the narrow road that is the information superhighway HERE!

Saturday, 21 April 2018

Various ‎– "PSST - Wanna Buy A Tape?" (El Frenzy Productions) 1986

Another faux-compilation over which Jim Whelton (L Voag,Amos,Xentos) looms large.All the groups, are figments of his fertile imagination and endless sense of the absurd, and contains some of his silliest band names.Hardly a bad track on here.
This was also the start of Big Selfish's music career.Tracks A2, A4 + B4 are from 1982 Barcelona sessions that led to Bing Selfish 'Selfish Works' 12"........coming up next.


Esta Cara:

Intro side A 1:00
A1 –Lenin Lads - Fantasma De La Vida 2:45
A2 –El Narciso - Pass The Buck 2:09
A3 –Lenin Lads - What's For Brechtfast 1:19
A4 –The Employees -  The Boss Came Back From The Dead 2:56
A5 –Lenin Lads - Tribute To Moira Tan 3:11
A6 –Lepke Buckwalter - Evil Harry 3:37
A7 –Bing Selfish With Mari Lou, El Narciso + Toth - Senora Tokyo 3:21
A8 –Appel Singh Bankboy's Five O' Clock Train - Sex Shop International 3:28
A9 –Lenin Lads - Party Faithful 4:04

La Otra Cara:

Intro side B 0:58
B1 –Lenin Lads - Beach Boys 2:11
B2 –The Tennis Ball's Bigger Than The Golf Ball - My Blue Moon Turned To Black 2:15
B3 –The Murphy Challengers - Party Pranks 3:39
B4 –Los Delectantes - Lulu Said..... 1:43
B5 –Bing Selfish And The Sycopants - No Puedo Dejar De Pensar En Ti... 2:48
B6 –Lenin Lads - Dunlop 1:55
B7 –D.J. Taj And The New Language - First Prize, A Trip To India 3:38
B8 –Bing Selfish And The Sycopants - Petrograd Brother 2:16
B9 –Lenin Lads - Moira 2:59
B10 –Lenin Lads - Hostile Lounge 1:53

Friday, 20 April 2018

George Harrasment ‎– "Masai Sleep Walking" (Black Noise ‎– BN 6) 1980

George Harrasment (see what he did there?), was basically Bruno Wizard of the Homosexuals,aided a bit by various Homosexuals, L Voag being one of the pseudonyms of Jim Whelton aka Amos, aka Xantos Fray Bentos goes on.
What we've got here are 26 stripped down,mostly instrumental, song sketchs by the most pop orientated Homosexual, Bruno. Recorded in very lo, lo-fi, one can feel the squat ambience very nicely indeed.
Not the best starting point on your gaydar to uncover all the alias's of the Homosexuals. there are better versions on the  "Astral Glamour" triple CD-r on 'Hyped 2 Death'....i'll be posting that don't don't go and bloody buy it!

A1 Vision Expanding
A2 Charlie Watts
A3 High And Low
A4 Black Noise
A5 Yoghurt
A6 Ants On Safari
A7 In My Age
A8 One Minute
A9 Victoria Falls
A10 Calvary
A11 Funeral
A12 Gimme Gimme
A13 Two Horizons
A14 Another Step
A15 Symponic Thais
A16 Making Eyes
B1 Collapsible You
B2 Across Continents
B3 Eclipse Of The Moon
B4 To-To Rello
B5 Especially To You
B6 Re Entry
B7 Symbols I Love
B8 Cheetah!
B9 Early Developments
B10 Final Distance


Bass – L. Voag (tracks: B1, B6)
Featuring – The Homosexuals
Performer – Bruno(tracks: All), Vida S. (tracks: A7)
Voice – Zoe (tracks: A1, A5, A10)

All tracks were recorded at home. Some on 2 track Revo + some on Mono Portable cheapo cassette machine. All tracks mastered on cassette machine. Tracks: 10. on Side One + 1. 6. on Side Two Rough Mixes from Sloppy Sound Studios - Surrey. The first song on Side Two is sung by lovely 'Michelle' of Battersea. Love to the twins and L Voag for bass on Tracks 1. and 6. of Side Two and much inspiration on the rest. This album was cut at Pye Cutting Studios and consequently sounds terrible.
Part collaboration: Unsound Engineer at Free Range Studios, London: Andrew Bailey

The Tesco Bombers ‎– "Hernando's Hideaway" (Y Records ‎– Y 14) 1982

Mmmmm, sounds like they're haaving fun doesn't it?.....another Homosexuals spin-off, including the irritating britpopart ratpack member of the nineties, Keith Allen, father of Lily allen. Better known as the yobbish drunk twat who hung around with fellow drunk twats Damien Hirst,and that bloke from Blur, doing cocaine and champagne......because they could......and we didn't want to.
This isn't too bad for a semi-trendy chart attempt......its got Sara, on vocals, and Amos (Jim Whelton) to add some class and moral fibre.


A Hernando's Hideaway
B1 Break The Ice At Parties
B2 Girl From Ipanena (Instrumental)

Wednesday, 18 April 2018

Ici La Bas ‎– "Ici La Bas" (Black Noise ‎– No.4) 1979

Another piece in the Homosexuals' convoluted and deliberatly obscure jigsaw puzzle from 1979.Not that they would have garnered any fans from their first ep at all,but they would have lost them after changing their name for this 12" ep.A time homoured method of career suicide, if a career is what they wanted, which ,of course they didn't......what's a 'career' anyway? Slavery and compromise is the definition of 'Career', The Homosexuals stood for Freedom', a much better word.
There's no boring list of personnel, and who played what, just a bunch of made up pseudonyms, and band names as if it was a compilation.
The 'real' band aren't mentioned anywhere. Instead each track is by a different made-up artist to deliberately cause maximum confusion, enigma and mystery;which worked eventually, instead all that happened initially was zero sales.

1-Regard Omission - Sax; The Master, Gtr; JV Sang
2-The Total Drop - Ici La Bas
3-Galore Galore - Yanto Novitch
4-Nippon Airways - Dirty Mary Brown & the Mystiques
5-Flying - The Prolific Urdos
6-Cause a Commotion - drums; The Master, Gtr/vox; JV Sang, flute; Alex Smart.

No group of the time could match The Homosexuals' total disregard for ambition, or were as prolific, or exude such intelligence and understanding of the Rock'n'Roll myth.
They operated completely out of the mainstream with no coverage at all from the media of the time. This Black Noise release only serves to pile up yet more mystery upon mystery, with the scant documentation accumulated from previous releases only muddying the waters further.And,rhetorically, boy do they deserve muddying?

Tuesday, 17 April 2018

Amos & Lepke - "Modern shit will make you ill" (It's War Boys _ £21) 1984

As I recently acquired the sole missing piece of the "It's war Boys!" jigsaw, namely "Modern Shit Will Make you ill", aka, this tape......; and Amos (Jim Whelton) guested with The Work in Japan) and came from the same squatland scene as This Heat. I bring you this new chapter in the documentation of Amos/Its War Boys/Homosexuals recordings. Directly taken from the original Its War Boys catalog, here is one of the most obscure sonic works of the early 1980s, Modern Shit! First issued on tape (cat No. £21) this work circulated only privately among the close friends of the label and was never officially distributed. Actually, it represents one of the most intense and experimental outputs of this creative London squatland-garde period.
The idea was to create a contemporary 'Non-stop', vaguely in emulous contradiction to products by people like Cerrone and Biddulph (1970s disco queens- which in hindsight was probably even 'weirder' than this stuff? just lacked the sense of humour).
Lepke and Amos, the two minds behind this project (and 2/3 of the Milk from Cheltenham adventures), each constructed a half hour near-continuous non-stop collage using only the foulest materials.
In those days, they had their 8-track studio in a mouldy basement below Brixton Road, Sarf London and they happened to occasionally record some awful wannabe pop bands. It was a truly horrible experience for our heroes,but with a good side.
Almost as soon as the idiots left the studio, Lepke and Amos would start re-mixing their music, often stealing and sticking it (suitably mangled) onto new tracks, the basis material for "Modern Shit!"
Two pseudonymous British gentlemen lurk behind this Modern Shit. The first has used various vaguely absurd monikers over the years, including Amos, L. Voag, and Xentos “Fray” Bentos; the other has stuck with one improbable handle: Lepke Buchwater (no doubt meant to echo the name of legendary U.S. crime kingpin Lepke Buchalter). Currently, they comprise two-thirds of the excellent Die Trip Computer Die; in the late ’70s/early ’80s Amos was in the Homosexuals, the Just Measurers, Amos and Sara, and a host of other obscure bands, while Lepke was the brains behind the group Milk from Cheltenham.
Despite the fact that all these outfits produced wildly creative music, arguably some of the best from the post-punk era, chances are (with the possible the exception of the Homosexuals) you haven’t heard of any of them. In the case of most of these recordings, their low profile was due to a deliberate obscurantism stemming from a DIY/anti-capitalist rejection of the Music Business. As for the Modern Shit project, originally released in the early ’80s on Amos’s cassette label It’s War Boys, there was another reason for keeping things at an almost subterranean level. At the time, Amos and Lepke supported themselves by running a small recording studio, where they recorded all kinds of crappy local bands. As mentioned, after the bands had left, they would muck about with the session tapes—and a lot of that muckery/mockery found its way into this project.
Amos and Lepke’s plundered material got worked into two absurdist “mega-mixes” that were intended as a surrealistic parody of ’70s “non-stop” disco mixes produced by the likes of Cerrone (of Love in C Minor and Supernature fame). Each produced their own continuous half-hour mix, Amos’s appearing on the first side of the original cassette version (indexed as tracks 1 to 19), and Lepke’s on the flip (now tracks 20 to 37). 
Amos and Lepke worked with the same collection of resources, principally drum machines, keyboards, their own vocals, and all manner of “found” recordings—taken from records, TV, and the hapless local bands mentioned above (from whom they mostly lifted vocal tracks).
In terms of methodology, Amos’s mix bears less resemblance to an actual disco “non-stop” than Lepke’s, but it is nonetheless more impressive as a piece of music. In place of a disco’s steady rhythmic base, Amos uses recurring fragments or loops to create linkages between parts. (These bits and pieces can’t really be called “samples,” as it’s very unlikely either Amos or Lepke used samplers, which had barely been introduced at that point. Their dense collages were done the old-fashioned way, with tape manipulation, splicing, turntables, and loops.) Rhythmically, the last thing Amos lays down is a groove—rather, his rhythms are deliberately ridiculous and deranged. The mix’s wacked-out surrealism, however, is tempered by sections that are strangely beautiful, brooding, and mysterious. After a barrage of bizarrely collaged fragments, Amos’s side ends with a five-minute song that could almost seem normal if you weren’t really listening. A lifted vocal lead is rendered completely absurd through strange keyboard colourings and subtly off-kilter backing vocals.
Amos’s own lyrics (that is, when he himself is singing) are both comically ridiculous and somewhat menacing. They are also interrelated with the lyrics in Lepke’s mix: while nothing remotely like a coherent narrative emerges, both reference World War II, Nazis, and political repression.
Lepke’s mix is “funkier” than Amos’s—you can tap your foot to much of it, and an actual bona fide disco beat even crops up briefly. But it’s still a complete piss-take, and full of wildly demented humour.Hours of fun can be spent spotting the extracts form Holgar Czukay's 'Canaxis', and identifying snippets of Pierre Henri's musique concrete oeuvre.
The work these two produced,predates and will appeal to fans of the plunderphonic/cut-up work produced by Nurse with Wound, John Oswald, Stock, Hausen & Walkman, and People Like Us.But remember ,they got there first.


(1-37) Modern Shit Will Make You Ill

DOWNLOAD this vintage shit HERE!

Monday, 16 April 2018

Jandek ‎– "Canticle Of Castaway" (Corwood Industries ‎– Corwood 0802) 2010

Wow!....Its Only JANDEK MONDAY again isn't it!?
I've still got that dull ache in my cerebral cortex from the last Jandek Monday!
I love the creepy picture that adorns the cover, like a missing persons mugshot that's been left pinned to a notice board since the early nineties. 
This is a return to long, dark and  painful acoustic 'songs', or canticles of a castaway, which i assume is Jandek himself?. Eavesdrop on the reclusive troubadour disembowel himself  for his public; an open wound of a record. 


1 Don't Go Out 29:05
2 You Weren't 6:51
3 Boys Like Blue 17:09

Sunday, 15 April 2018

Camberwell Now - "Live Basel, Kulturwerkstatt Kaserne 16/06/1984" (Bootleg)

A great, crystal clear, radio performance recording from Basel in Switzerland, in front of a small but ,eventually, enthusiastic audience. Lots of amusing stage banter, and a great set from this ignored This Heat spin off; has been said, its more of a Matching Mole/Soft Machine relationship to their former band, than an actual continuation. There's also an interesting interview tacked on, which gives a overview of Stephen Rickard's 'Machine', which was basically a cassette version of the Mellotron,and a precursor to the sampler.

Kulturwerkstatt Kaserne
16 June 1984

Charles Hayward - voice, drums, keyboards etc.
Trefor Goronway - voice, bass, percussion etc.
Stephan Rickard - recordings, tapes etc.

1-9 (aud.) with sony TCS-310 Walkman/built-in microphone
10 from FM radio


1. Tuning
2. Working Nights
3. Daddy Needs A Throne
4. Speculative fiction
5. Sitcom
6. Wheat Futures
7. Green Lantern
8. The Ghost trade
9. The End
10 Interview Radio DRS III june 1984.

DOWNLOAD camberwell now right now HERE!

Saturday, 14 April 2018

Metabolist - "Live at Actionspace, London, 20/07/1978" (Bootleg)

As fate would have it, a group who were contempories of and trod on similar territory as This Heat, were also recorded at Actionspace in 1978.
Metabolist were unashamedly influenced by Krautrock,and Zeuhl ,but absorbed just enough 'Punk' not to be dismissed as a prog-hangover......although nothing wrong with that in my book.
Although labelled as "A Poor Mans This Heat" by some sections of the UK music press,their album "Hansten Klork" is now widely regarded as a post-punk classic;which indeed it certainly is.

More Metabolist HERE!


1. Curly Wall
2. Pinstripe
3. Rainy Day Sunshine Girl
4. Slaves
5. (I Can't) Identify (part 1)
6. (I Can't) Identify (part 2)
7. Unknown
8. Eulam's Beat
9. I Don't Want To
10. The Big One.

DOWNLOAD at a high metabolic rate HERE!

Friday, 13 April 2018

This Heat - "Live at Actionspace London 17/07/1981" (Bootleg)

A rather tinny recording of pre or post(?) Gareth williams This Heat in action at Actionspace in 1981.The audience noise is conspicuously silent,except for the occasional distant shout in the murk where all the bass frequencies were exiled to.

Loads more live This Heat can be found by clicking HERE!


1. Horizontal Hold
2. Paper hats
4. Cenotaph
5. Makeshift Swahili
6. A New Kind Of Water
7. Greenfingers
8. Health and efficiency
9. Twilight Furniture

DOWNLOAD some heat action HERE!

Thursday, 12 April 2018

This Heat - "Live at the Prince Of Wales Conference Centre,London, 1979" (Bootleg)

Continuing the theme of post-punk-avant-prog, brings forth the kings of said made-up sub-genre;....That's right, more live This Heat, with a decent quality bootleg recording of a gig sometime in 1979, including a rare capturing of obscure Heat number ., "The Rough and the Smooth".....worth it for that alone.Despite some irreverent audience members chit-chatting in the presence of art history, its a rather good recording for 1979.
No doubt that the truly awful Prince Of Wales would think its all a pile of totale shite.
Apart from that I have nothing more to add....its 'This Heat' innit?


1. Triumph
2. Testcard
3. paper hats
4. Twilight Furniture
5. Rough and The Smooth
6. Makeshift Swahili

DOWNLOAD with prince charles' disapproval HERE!

Wednesday, 11 April 2018

Mick Hobbs and Benb Gallaher - "Bite My knee" (Life and Living Records) 2011

This Strobe Talbot 'spin-off' spoken word project recorded in 2002, involving Mick Hobbs and Benb Gallaher, apparently has sunk without trace in the heaving mires of modern information overload. Ramming headlong into a flatulent Iceberg from the 21st century musical glacier that threatens to consume all noble vessels that sail beyond the middle 'c's' . It rested on the seabed of taste for 7 long years only to be discovered in perfect condition in my e-mail inbox, courtesy of one Benb Gallaher!
Like Sir Lew Grade's abysmal "Raise The Titanic" movie, the album has been raised from the depths in near mint condition to sail,but not for sale, again to a new audience......well probably the same old audience, but who cares huh, it lives? 

This is rather good for the continuity of this blog, because I was looking for tenuous links to post some new 'This Heat' bootlegs. Mick Hobbs' Cold Storage links aside,the original backing sounds for these spoken word pieces were originally to be comprised of unreleased works from the late Gareth Williams.....of This Heat.
A reverence towards Gareth's work, led to that idea being dropped. So that task fell squarely on the more than capable shoulders of mick Hobbs, Benb and the usual suspects including Jad fair, R. Stevie Moore, and Rick Wilson.


1. 99 Similes (for the Ploughman's Lunch)
2. Upon Waking
3. Sad Saturday
4. I Hate Text
5. After Driving A Considerable Distance Within A Short Time
6. Stock Exchange As Seen From Afar
7. Paintings Of Pears
8. Prompts and Replies (For Dr. Dexter -- My Physical, Revisited)
9. Attempted Definitions
10. Fun
11. The Death Of Dignity
12. New Math
13. Statements
14. Between
15. Bite My Knee
16. A Dozen Things That I Chose Not To Say Today
17. Yourself And Elsewhere
18. Business Is Brisk
19. Comme Tu Dis (Excerpt From The Memoirs Of My Mirror)
20. Someone's Birthday
21. State of Affairs
22. My Latest Theory

words: Benb Gallaher
sounds, Mick Hobbs, Benb Gallaher

aided by various pals:

R. Stevie Moore (1)
Jad Fair (2)
Alig Pearce (3)
Rick Wilson (14)
Andy Fisher (18)

Recorded May 2002 in London, UK
Released on Life and Living Records in May, 2011,

DOWNLOAD and bite someone else's knee HERE!

Tuesday, 10 April 2018

Half Japanese ‎– "Perfect" (Joyful Noise Recordings ‎– JNR183) (2016)

Yeah, Mick Hobbs of 'The Work' fame, has been a member of Half Japanese for 28 years,since 1990!
Which is the reason for posting a modern, David Fair-less, 1/2 Japanese lp. The music is fair-ly radio friendly american Indie Rock, with an abnormally subdued Jad Fair providing the singing.....maybe he misses his brother? It doesn't stand up to their earlier wild untutored standards, but this always happens when a version of a classic group get back together, minus certain key-members; the same thing happened to Pere Ubu,who also resorted to radio-friendly Indie, probably to fulfill some offers to play a few Avant-Rock nostalgia shows to earn some belated income from the upwardly mobile. This is happening more and more with those bloody awful festivals choc-a-block with dancing dads freaking out to alternative groups with one original member 're-forming' after a 20 year lay off.
I can see it now, Half-Japanese and Pere Ubu playing at the Dingleberry Festival alongside Dolly Parton and Neil Diamond.The swelling crowd of 50-something baby-boomers paying 200 quid a pop, to sing-a-long to "30 Seconds over Tokyo" and "Forever in Blue Jeans"......rock is definitely very DEAD!


That Is That
We Cannot Miss
You And I
Hold On
Man Without A Shadow
Here We Are
Listen To Your Heart
We'll Go Far
That's Called Love
In Your Spell
A New Beginning
That's Right

Monday, 9 April 2018

Jandek ‎– "Khartoum Variations" (Corwood Industries ‎– Corwood 0782) 2006


Another sneaky snapshot into Jandek's mysterious existence......apparently he had a life?! Pictured here in front of an edited version of Dublin castle.
In his earlier career, I had this image of our favourite ginger whinger stuck in his house, never venturing further than his front and back yard. But later albums see him touring Europe?!
Was he cured from the sad hermit-like imprisonment of his youth,or was he just making it all up? Was he 'Normal' after all?
The songs on here say otherwise. This kind of tortured despair can't be faked, especially the tortured despair the listener feels after listening to an hour of this.......and whats more, these songs are all repeated versions from the "Khartoum" album of the year previous in 2005.
For some strange reason he never re-did "Fork in the Road"?
These 'variations' are murkier than the brighter/harsher versions on "Khartoum".....(which you can hear/read about HERE!")
Its the kind of cynical repromotion trick that large record companies do every 5 year anniversary of a mildly successful album from pops past....the 'Bonus Disc',and laughably, 'The Deluxe Edition'.......can't imagine anything about Jandek is 'Deluxe'? Where are they going to go next in their endless quest to squeeze out every last penny from us, selling the same product to us over and over again!?....No 'deluxe editions' in the world of Jandek. Just mountains of unlimited editions of his seemingly endless stream of albums.Even after he dies, i expect it to continue posthumously ,like it has with 'Muslimgauze'.
The only thing that Jandek can actually repeat,or sell us time and time again, are the bleak lyrics, along with a general vibe of hopelessness. Musically,however,its a different album,as the guitar scraping is as random and tuneless as ever. Jandek on top, miserable,dysfunctional form. 


1 You Wanted To Leave 9:15
2 Fragmentation 6:16
3 I Shot Myself 6:42
4 New Dimension 5:10
5 Khartoum 8:14
6 In A Chair I Stare 5:27
7 Move From The Mountain 8:13

Saturday, 7 April 2018

1/2 Japanese ‎– "Loud" (Armageddon Records ‎– ARM 7) 1981

That's right!.....Jad Fair was in Half Japanese.
So to flesh out this fact here's Half-Japanese's best album.
Chock-a-block with untuned falling apart anti-rock.....aka, wot proper rock should sound like.


A1 My Concentration, Oh No
A2 2 Hearts = 1
A3 If My Father Answers, Don't Say Nothing
A4 Scientific Devices
A5 Gift
A6 Dumb Animals
A7 Popular
A8 I Know How It Feels. Bad
A9 Perfume
A10 New Brides Of Frankenstein
A11 Forget You
A12 Loud/Louder/Loudest
B1 Spy
B2 No Danger
B3 Love Lasts Forever (Sometimes)
B4 Nurse
B5 Only Dancing
B6 Bad To Your Best Friend
B7 Baby Wants Music
B8 High School Tonight

Friday, 6 April 2018

Jandek ‎– "Raining Down Diamonds" (Corwood Industries ‎– Corwood 0780) 2005

Did someone mention Jandek?
As outsider music has reared its less than beautiful head on recent posts,I have an excuse to post some 21st century Jandek.
DISCLAIMER: Stictly,Not recommended to those of a nervous disposition,prone to suicidal thoughts, or gun owning social outcasts or loners with a gripe about society who live near a school.
This Diamond in the mud is one of his first 'post-live performance' albums, and features our hero in the first of a series of photo's featuring Jandek,somewhat provocatively, as a ginger Muslim on the cover.
His 21st century studio output has been overshadowed, sadly, by his emergence from the shadows to perform 'Live!?'; with other ,'proper', musicians!? Making Music that one would expect to see on a proper record label! A Shocking sell-out, or just enhancing the 'Jandek' legend,and/or myth.
This CD is classic Jandek however. Utilising his unpatented detuned bass strings method of aural torture.
Vocally and Lyrically he is in top unacquainted despair form.Very much the musical equivalent of slowly slitting ones wrists in a cold bath and welcoming the peace of death with open bloody arms.
This could clear a warehouse party with everyone on pure Ecstasy and Nitrous-oxide in less than 5 minutes. Laugh I almost cried.....or more accurately, Cry I almost Laughed; which is the eternal paradox when someone first encounters Sterling R. Smith's alter-ego.Its a strange mixture of Hilarious and Disturbing.

I've got loads of this stuff already featured on here....and more in the can!? So i propose a 'Jandek Monday' approach, where I will offer up a new Jandek album to ruin your week,every Monday......and there's loads of 'em too! 


1 What Things Are 5:54
2 I Stared 4:42
3 It's Forever 3:21
4 You Ancient 3:58
5 Take My Will 8:24
6 New Rendezvous 9:37
7 Your Visitor 8:16

Thursday, 5 April 2018

Jad Fair & Daniel Johnston ‎– "Jad Fair And Daniel Johnston( Its Spooky )" (50,000,000,000,000,000,000,000,000,000,000 Watts Records ‎– JAD9-2) 1989

Here they are, the Outsider music dreamteam. All that is missing to make the perfect Outsider power trio would be Jandek on guitar.
You thought you knew everything about music, well it turns out you were wrong.They told us there were twelve notes,they were wrong, they told us about time signatures....they were wrong, syncopation ,forget it.In fact everything they would force down a young person's throat in music school, and now rock school, is total bollocks!
A music class by Jad Fair would last maybe five minutes....."Just go and do it", would be the essence of this masterclass. Its a year zero,back to nature approach that we all would benefit from, without any need for Pol pot.
There's no need to 'Unlearn' anything if you don't learn it in the first place.

This is the CD version by the way...its got more on it.


1 It's Spooky
2 Summer Time
3 I Met Roky Erickson
4 Happy Talk
5 McDonalds On The Brain
6 I Did Acid With Caroline
7 If I'd Only Known
8 Tongues Wag In This Town
9 Tomorrow Never Knows
10 Oh Honey
11 A Vow Of Love
12 When Love Calls
13 Frankenstein Vs. The World
14 Hands Of Love
15 Kicking The Dog
16 What I've Seen
17 Something's Got A Hold On Me
18 Villian
19 Chords Of Fame
20 Ostrich
21 Casper The Friendly Ghost
22 First Day At Work
23 Fun And Games
24 Nothing Left
25 Memphis Tenn.
26 Come Back
27 Tears Stupid Tears
28 The Making Of The Album
29 Get Yourself Together
30 What The World Needs Now
31 Sweet Loafed

Wednesday, 4 April 2018

R. Stevie Moore ‎– "Next" (R. Stevie Moore Cassette Club ‎– Nt10) 1974

Erstwhile chum of Jad Fair and cohorts, R.Stevie is one of those great American eccentrics that I once thought the USA was full of......sadly this is very untrue.Unless one calls those Religious nuts in the liable belt 'Eccentric', which, in a way, they Charles Manson was eccentric.
Thats 'R.' on the cover, and I imagine it took some guts to prance around Nashville looking like that in 1974?
Our, R. Stevie, was doing DIY cassettes since the late sixties, and he's still at it today.
The music ranges from bizarre ballads, to proto-new wave rockers, to dysfunctional Adult Orientated Rock.At times sounding like Paul MaCartney and Wings if they we formed by out-patients at a psychiatric day-center, and other times like some US FM radio group....not an expert in this area so i'm struggling for comparisons! Steely Dan(???).......on Mogadon.Well at least Neil Young coming up off tranquilizers? 
All, of course, done with a dry sense of humour and the absurd.
I'm quite confident in saying that, there was sweet fuck all like this doing the rounds in 1974, everyone in America wanted to be Led Zeppelin or Jethro Tull, no-one knew there was something else.Now, we do, so you can finally delete 'Physical Graffiti' and 'Thick as a Brick' from your hard drives to make room for the 100 plus R.Stevie Moore albums that are crying out to annoy the fuck out of your sophisticated friends.


A1 Adult Tree 4:20
A2 Wonderful. Wonderful 4:14
A3 World's Fair 4:21
A4 Topic Of Same 4:54
A5 Europe 4:18
A6 Stool Pigeons And School Teachers 3:28
A7 Hot Bloose 5:47
A8 Ballad Of Ethos 7:12
A9 Kookie Coma 2:47
A10 I Still Chase The Women 2:44
A11 Danny Newberry 3:05
B1 A Thirst 3:01
B2 Pop Music 3:24
B3 Mighty Short Piece 2:52
B4 Moons 6:00
B5 New Yorkus 5:18
B6 I Not Listening 3:33
B7 Rockets By Two 6:08
B8 Quarter Peep Show 3:07
B9 I Love All The Girls 3:39
B10 The Fight 5:01
B11 I Need Your Love 4:49

Tuesday, 3 April 2018

Jad Fair & R. Stevie Moore ‎– "FairMoore" (Old Gold) 2002

Everyone and their granny,in the known experimental pop universe, has done an 'ENO' collaboration it seems?
Running our Brian a close second in the 'Collaborations' ranking table is one, Mr Jad Fair, outsider rockist extraordinaire. 
It only seems right that he should do one with original DIY outsider rocker R. Stevie Moore; who, as chance may have it, also guested on Strobe Talbot's 'Lets Born To Rock' album.
Musically, its firmly on the Outsider side of the Outsider Rock continuum, sounding like a Wesley Willis backing track as played by a Nashville cabaret band on a legal high kick. Jad Fair is on his usual form vocally and lyrically, streaming the consciousness of a child with no interest in attaining the trappings of maturity,at times approaching the logic of dreams. 


1 Stationary 2:11
2 That That Is This 2:00
3 Cotton Candy 2:57
4 Evil Eyes 2:24
5 Good Sign 1:58
6 Protected 2:33
7 Caramel Kisses 1:00
8 Cinnamon Roll 1:26
9 Leaders Of Yes 3:28
10 Opposite Of None 0:57
11 Supreme Beings 1:16
12 The Most 2:46
13 Two Of Us 2:21
14 Yeah, You Betcha 3:42
15 Your Theory 1:35
16 Lemon And Lime 3:11
17 Pow Pow 1:28
18 Beep The Horn Of Plenty 1:46
19 Red & Yellow Soda Cans 3:50
20 The Absence Of Trouble 2:24
21 We Are The Enhancers 2:43

Monday, 2 April 2018

Strobe Talbot ‎– "Funland" (Moone Records ‎– MR032) 2017

I've got a headache from a weekend of excess and too much spring sun,but what did I find in my inbox this morning?.....only the most recent LP from Strobe Talbot!
Headphones on,headache gone.
Jad,Mick,Benb,and notable chums return after a short gap of 14 years as if time didn't exist.
Jad Fair continues to speak in a kind of tongues that bypasses the strait-jacket of adulthood ,ably backed up by the ever inventive Mick Hobbs, and the tumbling stickwork of Benb Gallaher.
There ain't many records from 2017 i'd happily post on this blog, but there are obvious exceptions, this being one,and anything I'm on of course (New ZOG and Scouts of Uzbekistan coming up in 2018).
Whats more is that this fine record was released in a strictly limited edition of 100, pressed on very attractive (is that marbled?) blue vinyl, and allegedly is the first LP to be pressed with a 'Morphing Hollogram'?....see this phenomenon in action HERE!

The news is that a second edition of 300(!) is now ready to relieve you all of the contents of your piggy banks,for only 25 bucks plus shipping from Moone Records. A beautiful thing it is too.
I suppose this is an advert?....but its for a worthy cause I guess?


A1 On The Go
A2 Forever
A3 Superstar
A4 Werewolf Of The Timberland
A5 The Awakening
A6 All At Once
A7 Made That Way
A8 Alien Dead
A9 With Sprinkles
A10 1-Letter Alphabet
A11 Hunger
A12 Evil Of Frankenstein
A13 I Don't Know
A14 I Love You
B1 Poetic Heart
B2 Blame It On...
B3 The Token Waltz
B4 A New Day
B5 Pretty Flowers

Usually i'd offer it up for free downloading, but I guess they wanna sell 'em to break even,so............Place your order HERE!

Saturday, 31 March 2018

Strobe Talbot ‎– "Let's Born To Rock!" (MRW44 ‎– mrw4407) 2002

Basically, this is how to 'Rock!'....... in 15 easy lessons.
I say 'easy' because Jad fair makes it seem easy, but it ain't! Many have tried and this is why the work 'Rock' is now an utter embarrassment, when it is in fact the greatest musical form ever shat out of the arse of man and woman kind.
Its primal nature has been flushed away leaving the floating turd of 21st century rock'n'poop glistening on the surface in the crapper of meaningless entertainment.
You can't teach this kind of authenticism in those despicable 'Rock Schools' and Pop Music University courses, you've either got it or you ain't; and anyone who needs to be taught it, AIN'T GOT IT!
Its my Birthday today, so endure this charmingly untutored record and tell me I'm Right!

NB...three tracks feature cassette legend R. Stevie Moore on guitar.He was doing it himself as far back as 1969 for Chrissakes!


1 Riverflow 3:39
2 Red & Yellow Stars 2:45
3 Nutrition 3:16
4 Love Is Here 3:03
5 Pear Tree 2:55
6 Drinking Time 1:43
7 Love Earthquake 4:46
8 Newyear's Day 5:07
9 Lifted 3:25
10 On The Go 2:09
11 Party Mix 2:21
12 Woooooo 2:14
13 Back On Track 3:40
14 Pretty Flowers 4:52
15 Love And Comfort 2:27

Friday, 30 March 2018

Strobe Talbot ‎– "20 Pop Songs" (Alternative Tentacles ‎– Virus 273) 2001

Is there a group that Mick Hobbs wasn't in? Family Fodder, The Work, The Momes,Officer! Half Japanese and....the magnificent Strobe Talbot.Which is essentially Jad Fair,Hobbs and a drummer.
Jad Fairs childlike freedom is infectious.The tumbling time signatures liberate your mind forged manacles.The jumbled song structures erase the last thirty years of pop music in one stroke.
As far as I'm concerned this IS pop music, and one of my favourite records of the 21st century, which is a very exclusive list indeed.
The opening tune makes me happy and almost want to dance, and would be laughed out of any serious record company offices anywhere in the developed world.Its that good.

DOWNLOAD 20 unpopular pop songs HERE!

Thursday, 29 March 2018

Officer! ‎– "Dead Unique" (Blackest Ever Black ‎– BEB CD006) 2014

Mick Hobbs with friends and acquaintances, subverting the medium of the 'Pop Song' in Baltimore, in 1995, and belatedly released twenty years later.
One must say, this is actually the best 'Officer!' album,and is strewn with minor celebs from the avant-rock hinterland; like most of The Work, Jad Fair, and Amy Denio ,among others who I ain't necessarily heard of. In fact all of the fabulous 'Strobe Talbot' appear on this,and will, coincidentally, be featured next, as fate may have it!?

DOWNLOAD and be dead unique HERE!

Fraser ‎– "Archaeology" (Anti Hero Records ‎– AH 008) 1989

The lost album from the Unrest,Work and Play archives wot I found on the interweb in an atrociously low bit-rate, but its still not too bad compared to some of the cassettes that are on here.
Its basically a solo album by Chris Fraser of UWP, but sounds exactly like said group.
If you don't know what 'said group' sounds like click here.
In words, disjointed Avant-Prog songs sung in a post-psychedelic style that was quite typical of the groups on Recommended Records.So don't expect melodies that have predictable sequences, or conform to 4/4 verse chorus verse standards.
Seems that Chris disappeared after this obscure magnum opus.


A1 Archaeology
A2 Everything Looks Different
A3 Steep Descent
A4 Customs
A5 Clear
B1 Pointless
B2 Where And When
B3 0119
B4 Cellarman
B5 Misconstrued

Wednesday, 28 March 2018

Unrest Work & Play ‎– "Informs" (Recommended Records ‎– RR C19) 1984

Mick Hobbs of The Work etc, was in 'The Momes' with Andy Wake of 'Unrest Work and Play', along with Tim Hodgkinson, late of Henry Cow/The we went on a little Mick Hobbs trip,in fact we are still on it(!); here's UWP's only proper album. A typically disjointed Avant-Prog exploration of musical sub-genres, in the Recommended Records stylee.


A1 Rockabilly
A2 Heavy Metal
A3 Ballad
A4 Folk
A5 Art-Rock
B1 Pop
B2 Swing
B3 Blues
B4 Ethnic

Tuesday, 27 March 2018

The Lo Yo Yo ‎– "Extra Weapons" (Floppy Discs ‎– FLOP 1) 1985

The early eighties were full of generic groups and generic people like this who fitted in with the waves of fashionable right-on-ness, temporarily. What's surprising is that Mick Hobbs of The Work was in it,and it was recorded at Cold Storage by Charles Bullen(This Heat).
There is a Family Fodder connection however, Mick and Alig of The lo Yo Yo were guilty of this.
Nonetheless,"Extra Weapons" is a fairly weedy, late in the day attempt at hip chart-worthyness, like a  lo-budget Belle Stars or a more middle class Au Pairs or The Passions.Christ there are even a couple of 'white Reggae' numbers to add a rather unpleasant cherry to the top.The Beefheart inspired name is definitely a red herring left out of the fridge for too long.
Most of the members of The Lo Yo Yo would have disappeared back to their day-jobs at a Solicitors Firm, or as a senior member of the councils social equality department,or as a candidate for the Green Party, after this brief foray into pop music.But at least they could tell the kids that they were in a band once.
Weren't we all?....and ,sadly, still are!


A1 Bad Intentions
A2 All The Atrocities
A3 I Can Hold My Own Hand
A4 Learning To Fly
A5 Petroleum
B1 More To Come
B2 China Blue
B3 Cache-Cache
B4 You Never Know
B5 Cog
B6 The History Of Weaponry